Henry Rothman: Collages

September 6 – October 6, 2012

Henry Rothman [1910-1990]
Untitled (2)
c. 1968
Paper collage
5.75 x 8.5 inches
(LBFA #5485)

Henry Rothman [1910-1990]
Untitled (Air-Bus)
c. 1962-63
Paper collage
4 3/4 x 6 3/4 inches
(LBFA #5494)

Henry Rothman [1910-1990]
Untitled (Beige)
1965
Paper collage
3 3/4 x 5 1/2 inches
Signed Lower Right "HR 65"
(LBFA #5486)

Henry Rothman [1910-1990]
Untitled (Ben-Day)
c. 1975-77
Paper collage
4 x 4 1/2 inches
(LBFA #5487)

Henry Rothman [1910-1990]
Untitled (Black, Tan & Red)
c. 1963
Paper collage
4 1/8 x 5 3/4 inches
Signed lower right "H.R. 63"
(LBFA #5489)

Henry Rothman [1910-1990]
Untitled (Mask)
1963
Paper collage
4.5 x 3.5 inches
(LBFA #5480)

Henry Rothman [1910-1990]
Untitled (Crumpled Pink)
c. 1972-73
Paper collage
6 3/4 x  9 3/4 inches
(LBFA #5488)

Henry Rothman [1910-1990]
Untitled (A Cura)
c. 1971-2
Paper collage
6 1/4 x 9 1/2 inches
(LBFA #5482)

Henry Rothman [1910-1990]
Untitled (dei)
c. 1963
Paper collage
6 1/4 x 4 inches
(LBFA #5458)

Henry Rothman [1910-1990]
Untitled (Dick Tracy)
c. 1979-87
Paper collage
9 1/4 x 7 1/2 inches
(LBFA #5498)

Henry Rothman [1910-1990]
Untitled (grafis bologna)
c. 1972-73
Paper collage
7 3/4 x 9 inches
(LBFA #5484)

Henry Rothman [1910-1990]
Untitled (Grey and Pink)
1977
Paper collage
6 3/4 x 4 3/4 inches
Signed "HR 77"
(LBFA #5491)

Henry Rothman [1910-1990]
Untitled (Guerrino)
1985
Paper collage
7 1/2 x 5 1/2 inches
Signed "Henry Rothman 85"
(LBFA #5490)

Henry Rothman [1910-1990]
Untitled (Crescent)
c. 1968
Paper collage
2 1/2 x 3 3/4 inches
(LBFA #5481)

Henry Rothman [1910-1990]
Untitled (i.)
Early 1980s
Paper collage
12 1/4 x 8 3/8 inches
(LBFA #5478)

Henry Rothman [1910-1990]
Untitled (Nuova Grafica)
c. 1968-69
Paper collage
9 x 6 1/2 inches
Signed "HR"
(LBFA #5500)

Henry Rothman [1910-1990]
Untitled (Red Triangle)
c. 1966
Paper collage
6 3/4 x 10 1/2 inches
(LBFA #5495)

Henry Rothman [1910-1990]
Untitled (N)
c. 1974-79
Paper collage
7 1/4 x 10 inches
(LBFA #5366)

Henry Rothman [1910-1990]
Untitled (Red T)
c. 1974-79
Paper collage
7 1/4 x 10 1/2 inches
(LBFA #5363)

Henry Rothman [1910-1990]
Untitled (Red, Black & Yellow)
1963
Paper collage
4 5/8 x 7 7/8 inches
Signed "HR 63"
(LBFA #5497)

Henry Rothman [1910-1990]
Untitled
1963
Paper collage
10 1/4 x 7 inches
Signed lower right "HR"
(LBFA #5496)

Henry Rothman [1910-1990]
Untitled
1975
Paper collage
6 3/8 x 7 3/8 inches
Signed "HR 75 for Julio"
(LBFA #5493)

Henry Rothman [1910-1990]
Untitled (Wellfleet)
c. 1977
Paper and fabric collage
6.25 x 8.75 inches
(LBFA #5483)

Henry Rothman [1910-1990]
Untitled (Black B, P)
c. 1966-69
Paper collage
6 1/2 x 9 5/8 inches
(LBFA #5365)

Henry Rothman [1910-1990]
Untitled (Teal)
c. 1970-73
Paper collage
8 3/4 x 6 3/4 inches
(LBFA #5479)

Henry Rothman [1910-1990]
Untitled (Blue and Red) [double-sided]
c. 1960-63
Paper collage
6 7/8 x 4 7/8 inches
(LBFA #5364)

Press Release

Lori Bookstein Fine Art is pleased to announce an exhibition of collages by Henry Rothman [1910-1990]. This is the second solo show of Rothman's work at Lori Bookstein Fine Art.

Henry Rothman began his art career as a photographer in the early forties, where he found himself naturally drawn to the decay of urban life in New York. The artist photographed everything from ragged advertisements and timeworn shop signs to abandoned homes and buildings in various states of ruin. However, by the late fifties, Rothman began to create unique collages, whereby he maintained his previous interest in the antiquated. The marled surfaces and eroded façades he once photographed were now appropriated by means of torn advertisements and found posters to create formally abstract collages.

A majority of Rothman's collages are marked by text that was printed on the papers he selected. While some words are certainly legible − "Dei" in Untitled (Dei), for instance, is perhaps a deliberate allusion to God − most often his use of type was formal rather than referential. Indeed, the pattern of the words across the page and shapes of the  individual letters seems to be the artist's principal concern. In Untitled (N), for example, the use of what appears to be the letter "N" seems to serve as an architectural anchor in the composition rather than signifier. Other places too, in Untitled (Red T), the bellowing curves and harsh angles of individual letters only heighten the disjointed rhythm of the collage. Even in the works that contain no text at all, Rothman was able to create such depth in the way he layered the various textures and surface-finishes of each element, that at times, his collages seem to deny their own two-dimensionality.

Henry Rothman studied journalism at New York University and art at the Art School of Vienna. He founded the 28th Street Artists in 1947, whose members included Louise Nevelson, Jacques Lipchitz, Weegee and others. His work is in the collections of the Art Institute of Chicago, National Gallery of Canada, Arkansas Arts Center, Provincetown Art Association and Museum as well as the International Museum of Collage, Assemblage and Construction.

Henry Rothman: Collages will be on view from September 6, 2012 through October 6, 2012. An opening reception will be held on Friday, September 7th from 6-8 pm. Gallery hours are Tuesday through Saturday, 10:30 am to 6:00 pm. For additional information and/or visual materials, please contact the gallery at (212) 750-0949 or at info@loribooksteinfineart.com.